Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Francesco Salviati
The Incredulity of Thomas (mk05)

ID: 20314

Francesco Salviati The Incredulity of Thomas (mk05)
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Francesco Salviati The Incredulity of Thomas (mk05)


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Francesco Salviati

Italian 1510-1563 Francesco Salviati Gallery   Related Paintings of Francesco Salviati :. | Charity (nn03) | Charity | The Adoration of the Shepherds | Bildnis eines jungen Mannes | Charity |
Related Artists:
paolo uccello
(b Florence, c. 1397; d Florence, 10 Dec 1475). Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco (many of his works in this medium have been severely damaged), he was also a master mosaicist and produced designs for stained glass.
Christian Stocklin
Christian Stöcklin Germany (Geneve 1741 -Frankfurt 1795 ) - Painter
LE SUEUR, Eustache
French painter (b. 1616/17, Paris, d. 1655, Paris). French painter and draughtsman. He was one of the most important painters of historical, mythological and religious pictures in 17th-century France and one of the founders of French classicism. He was long considered the 'French Raphael' and the equal of Nicolas Poussin and Charles Le Brun. His reputation reached its zenith in the first half of the 19th century, but since then it has been in decline, largely as a result of the simplified and saccharine image of the man and his art created by Romantic writers and painters. Nevertheless, more recent recognition of the complexity of his art has resulted in a new interest in him and in his place in the evolution of French painting in the 17th century. Despite the almost total absence of signed and dated works, the chronology of Le Sueur's oeuvre can be established with the aid of a few surviving contracts,






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